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Scratching and biting: the art of Armand Coussens

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The Proven�al painter and printmaker Armand Coussens was born in Saint-Ambroix (Gard) in 1881. He studied at the Beaux-Arts, N�mes, under Alexis Lahaye. Ambitious for his talented student, Lahaye encouraged Coussens to go to Paris to enter for the Prix de Rome. But the 7 years he spent in Paris from 1900 to 1907 were frustrating for the young artist, who spent his time studying the Impressionists and painting on the quais of the Seine, rather than following the stultifying course at the Beaux-Arts, Paris, which even at that date was still focussed on copying antique casts and intended to produce a new generation of history painters. Driven to despair by this academic approach, Coussens returned to N�mes, to become professor of drawing at the Beaux-Arts there. Armand Coussens, Amateurs d'estampes Etching and aquatint, 1922 The nineteenth-century poet Thomas Hood, who trained as an engraver, wrote that etching "begins in a scratching and ends in a biting!" In this vividly e