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Process, materials, and aesthetics: woodblocks by Otto Eckmann

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Otto Eckmann was one of the most important figures in the Judgendstil (German Art Nouveau) art movement. Born in Hamburg in 1865, Otto Eckmann studied at the Kunstgewerbeschule in Hamburg, and then in Nuremberg, before entering the Munich Academy of Fine Art in 1885. In the end it was to be the arts and crafts element of his training that predominated. After initial success as a painter in the Symbolist style, in 1894 Otto Eckmann renounced oil painting and auctioned off his canvases. From this point he concentrated on graphics (particularly woodcuts) and on the design of tapestries, stained glass, furniture, fabrics, and ceramics. Otto Eckmann was also a pioneering typographer and type designer, and his Jugendstil typefaces Eckmann and Fette Eckmann are still in use today. Eckmann's type design was influenced by Japanese script, just as his woodcuts show the strong influence of Japanese art. Otto Eckmann was a major contributor to the two most important Art Nouveau revues publishe