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Francis Picabia is, of course, far from unknown. As the spokesman of the Cubist Section d'Or at the Armory Show in New York in 1913, and as the agent provocateur of Dada and Surrealism, Picabia became - with his close friend Marcel Duchamp - the prototypical modern artist. Disputatious, argumentative, controversial, witty, devil-may-care, Francis Picabia must have sparked a million conversations about the nature of art and the role of the artist. So it comes as something of a shock to discover another side to Picabia: his successful career as a Post-Impressionist, working under the direct influence and early encouragement of Sisley and Pissarro. It's as if Damian Hirst had begun as a Pre-Raphaelite, or Marina Abramovic were to suddenly unveil a hidden stash of genteel watercolours of flowers in vases. Picabia's Post-Impressionist phase lasted roughly from 1902 to 1908, and ended abruptly with his discovery of Cubism in 1909. One of his dealers, Danthon of the prestigious Ga