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Sonia Delaunay was born Sara Stern in 1885 in Odessa in Ukraine, into a relatively-poor Jewish family. At the age of 5 she was adopted by a wealthy uncle, Henri Terk, and renamed Sofia Terk (though she was always known as Sonia). She doesn't appear to have had much if any contact with her birth parents after this point. She grew up in St. Petersburg in wealthy, educated circles, becoming fluent in English, German, and French. In 1904 she went to Germany to study at the Karlsruhe Academy, moving two years later to Paris to study at the Acad�mie de la Palette. Sonia's early paintings, mainly highly-coloured portraits of people in her circle, were influenced by the work of Paul Gauguin, but also by the German Expressionists of Die Br�cke, and by the Fauves, who were just exploding onto the Paris art scene. She met and married the art dealer William Uhde, in what was essentially a marriage of convenience; Uhde was gay, and Sonia wanted to stay in Paris. Uhde put on her first show i

Underexposed: Female Artists and the Medium of Print is an exhibition on a subject close to my heart, the importance of female printmakers, and the relative neglect their art still receives. Regular readers of this blog will remember my posts on artists such as Ang�le Delasalle, Ghislaine de Menten de Horne, K�the Kollwitz, Laura Malcl�s-Masereel, Lill Tschudi, Norbertine Bresslern-Roth, Terry Haass, Tirzah Garwood (Ravilious), and others. Underexposed will run from 16 May to 19 June at Studio 3 Gallery, University of Kent School of Arts, Canterbury, with an associated programme of free lectures. It has been curated by Frances Chiverton and Lynne Dickens, and you can find out more about it here . I would reproduce the beautiful poster for the show, but I can't work out how to do so. Among the many artists included are Alison Wilding, Anne Desmet, Barbara Hepworth, Berthe Morisot (about whom I have a post-in-the-making), Bridget Riley, Cornelia Parker, Elisabeth Frink, Leonora Carri