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In the course of this blog, I often use the word Japonisme, as a way of encapsulating the rejuvenating, electrifying effect that exposure to Japanese art and aesthetics had on European artists of the Impressionist and Post-Impressionist era. One of the first blogs I started to follow was Lily's Japonisme , which has remained a source of great value to me. The meaning of the word Japonisme can best be shown visually, perhaps by looking at this colour autolithograph by Henri Rivi�re (1864-1951). Henri Rivi�re, Brume matinale (Matin de brume � Loguivy) Lithograph, 1903 But was Japonisme a one-way street, with European artists learning from the Japanese, and the Japanese going on their own sweet way? Of course not. Japanese artists were as eager to learn from the West as European artists were to learn from the East. Here is an example of what I mean, a modernist female nude by Kiyoshi Hasegawa (Hasegawa Kiyoshi, as it should be in Japanese convention). I think this is a wonderful piece