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Jacob Balgley, Rue � J�rusalem Etching How many of us have ever heard of Jacob Balgley, a direct contemporary of Marc Chagall? Not me, until I acquired a copy of Portrait de Jacob Balgley, written by his friend Claude Roger-Marx, and containing nine original etchings and four original drypoints. It was published in 1959, 25 years after the artist's death. The etchings and drypoints were printed on Vidalon wove paper by J.-J.-J. Rigal on the handpress of Mme Daragn�s, and the book forms part of a series of hommages to various artists published by Manuel Bruker, variously with the title Portrait de, �loge de, Visite �, or Tombeau de So-and-so. Each was published in an edition of 200 copies, the first 20 usually with an additional suite of the prints in the book. In the case of Portrait de Jacob Balgley, all of the books also had 9 additional prints loosely inserted at the back, four wonderful etchings and five rather pedestrian drypoints. Balgley seems to be a very interesting instan

Paul Huet was born in Paris in 1803. was a pupil of Antoine-Jean Gros and Pierre-Narcisse Gu�rin, and a friend and associate of Delacroix and Bonington. He was inspired like other Barbizon School artists by the art of John Constable (exhibited in Paris in 1824). While Huet's oils are sedate and conservative, his watercolours have a freshness that really sings; if he had been a Post-Impressionist rather than a Pre-Impressionist, he would no doubt have applied the vibrant colour sense shown in his watercolours to his oils. The Impressionists  shunned brown and black; if Huet had done the same, his work would have been transformed. There's a good brief biography with selections of his art here . Paul Huet, Vieilles maisons sur le port de Honfleur Etching, 1866 Alongside his paintings and watercolours, Paul Huet was also a printmaker. He published his first lithographs in 1829 and his first etchings in 1834. He died in 1869, and both my examples of his etched work date from his las

I would like to alert my readers to a new book on the neglected Austrian Expressionist artist Emma Bormann (1887-1974), by her grandson Andreas Johns, The Art of Emma Bormann , published by Ariadne Press in 2016. Emma Bormann, Universit�t in Groningen Woodcut, 1922 Emma Bormann's art was vibrant, and her life too was unusual. She travelled widely in Europe and Asia, and spent the years 1939-1950 in China. Later she lived in Tokyo and in Riverside, California, where she died.

Charles-Fran�ois Daubigny was born in Paris in 1817. One of the leading artists of the Barbizon School, Daubigny is a significant fore-runner of Impressionism. Because of the impressionistic nature of his oils, which seemed unfinished to the tastemakers of the day, his works were criticized as "rough sketches". Charles Chaplin, Daubigny Etching, 1862 B�raldi 3 Daubigny was a very active printmaker, creating 127 etchings, aquatints, and drypoints, 18 clich�s-verre, and 4 lithographs. I have six of his etchings to share with you. Charles-Fran�ois Daubigny, Le marais Etching, 1851 Delteil/Melot 84 The earliest etching I have by Daubigny is Le marais, dating from 1851 though my copy is from the 1874 printing for the Gazette des Beaux-Arts. Although this is already no. 84 in the catalogue raisonn� of Daubigny's etchings, it is actually right at the beginning of his true career as an original etcher, many of the earlier works being illustrative plates of little significance. I

Starting from 1905 and working up to a crescendo in the 1920s, German art saw an incredible flowering of brilliance in the early decades of the last century. The art movement which encapsulates the work of many different artists and smaller aesthetic cross-currents is called German Expressionism. The formation of the Br�cke artists� group in Dresden by Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff and Fritz Bleyl in 1905 is usually seen as the starting pistol for the whole Expressionist movement. Things developed very quickly from there. Emil Nolde and Max Pechstein joined Br�cke the following year, and Vassily Kandinsky and Oskar Kokoschka began working in a similar vein. Karl Schmidt-Rottluff, Elbhafen Lithograph, 1907 Wassily Kandinsky, Orientalisches Woodcut, 1911 Wassily Kandinsky, Motif aus improvisation 25: The Garden of Love Woodcut, 1911 Oskar Kokoschka, Madchenbildnis Lithograph, 1920 Lists of the major artists of German Expressionism usually include all the arti

The Book of Revelation (L'Apocalypse selon Saint Jean) is almost too rich in imagery for artistic interpretation, which hasn't stopped artists from trying! One very satisfying version is that published in 1969 by Simon S�gal. This project about the end of the world was undertaken at the end of S�gal's life. He was born into a Jewish family in Bialystok, Poland (then part of the Russian Empire, so it is a moot point whether S�gal should be regarded as having Polish or Russian origin) in 1898. After WWI, S�gal emigrated to Berlin, moving to France in 1926 and becoming a naturalized French citizen in 1949. L'Apocalypse: The Lamb The expressionist art of Simon S�gal was influenced by that of Chaim Soutine, Georges Rouault, and Marc Chagall, and echoes of all three can be seen in S�gal's lithographs for L'Apocalypse. I very much admire these vibrantly colourful works, with their vivid depictions of St John's phantasmagorical vision of the end of the world. L'